HOLBEIN, Hans the YoungerGerman painter (b. 1497, Augsburg, d. 1543, London). | |||
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Portrait of Jane Pemberton Gemälde ID:: 52046 Siehe Galerie in Schweden |
Portrait of Jane Pemberton c. 1540 Vellum mounted on playing card, diameter 5,3 cm c._1540_ Vellum_mounted_on_playing_card,_diameter_5,3_cm |
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The Solothurn Madonna Gemälde ID:: 52189 Siehe Galerie in Schweden |
The Solothurn Madonna 1522 Limewood, 140,5 x 102 cm 1522_Limewood,_140,5_x_102_cm |
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St Barbara Gemälde ID:: 52193 Siehe Galerie in Schweden |
St Barbara 1516 Wood, 150 x 47 cm 1516_ Wood,_150_x_47_cm |
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Signboard for a Schoolmaster Gemälde ID:: 52593 Siehe Galerie in Schweden |
Signboard for a Schoolmaster 1516 Pine panel 1516_Pine_panel |
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Diptych with Christ and the Mater Dolorosa Gemälde ID:: 63706 Siehe Galerie in Schweden |
Diptych with Christ and the Mater Dolorosa 1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious 1520_Limewood,_29_x_19.5_cm_(each_panel)_Kunstmuseum,_?ffentliche_Kunstsammlung,_Basle_Jesus_sits_exhausted_on_the_plinth_of_an_aedicula_decorated_in_the_style_of_the_Italian_Renaissance._In_contrast_to_His_strong,_muscular_body,_Jesus'_face_is_ravaged_by_the_strains_of_the_Passion,_arousing_pity_in_the_beholder,_who_is_also_summoned_to_devotion_by_Mary's_gesture_towards_her_Son_and_by_her_pain-stricken_gaze._Though_Jesus_wears_a_large_crown_of_thorns,_indicating_that_the_Via_Crucis_(the_Way_of_the_Cross)_has_begun,_the_wounds_are_absent,_so_that_the_Crucifixion_still_lies_in_the_future;_he_is_not_yet_the_Man_of_Sorrows._The_architecture_indicates_Pilate's_palace._Holbein_has_removed_the_figures_from_the_scenic_setting_of_the_Biblical_story_and_turned_the_tortured_Christ_into_the_main_figure_of_a_devotional_picture.Artist:HOLBEIN,_Hans_the_Younger_Title:_Diptych_with_Christ_and_the_Mater_Dolorosa___Painted_in__1501-1550___,__German__-_-_painting__:_religious |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| HOLBEIN, Hans the Younger | ||||||||||
| German painter (b. 1497, Augsburg, d. 1543, London). | ||||||||||
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